{"id":14209,"date":"2019-10-22T04:00:00","date_gmt":"2019-10-22T08:00:00","guid":{"rendered":"https:\/\/eductive.ca\/ressource\/using-visual-storytelling-to-explore-distressing-topics-in-the-college-classroom\/"},"modified":"2021-11-16T23:18:03","modified_gmt":"2021-11-17T04:18:03","slug":"using-visual-storytelling-to-explore-distressing-topics-in-the-college-classroom","status":"publish","type":"resource","link":"https:\/\/eductive.ca\/en\/resource\/using-visual-storytelling-to-explore-distressing-topics-in-the-college-classroom\/","title":{"rendered":"Using Visual Storytelling to Explore Distressing Topics in the College Classroom"},"content":{"rendered":"<div class=\"gray-box\">\n<p><strong>Editor&#8217;s Note<\/strong><\/p>\n<p>This text was originally published as &#8220;<a href=\"https:\/\/www.dawsoncollege.qc.ca\/academic-matters\/article\/felix-and-anya-exploring-trauma-and-resilience-through-visual-storytelling\/\" target=\"_blank\" rel=\"noopener\">Felix and Anya: Exploring Trauma and Resilience through Visual Storytelling<\/a>&#8221; in an issue of Dawson College\u2019s <em>Academic Matters<\/em>. It was edited to meet Profweb\u2019s editorial standards.<\/p>\n<\/div>\n<p>How do you speak about trauma without it becoming too personal? How do you provide support to a student whose painful memories and emotions might be triggered by such a discussion? An ECQ grant (<em>Entente Canada-Quebec<\/em>) in 2018-2019 allowed Mark McGuire at John Abbott College and I to develop a website presenting pedagogical materials using visual storytelling as a means of dealing with disturbing topics.<\/p>\n<p>For a variety of reasons, many teachers don\u2019t want to go anywhere near painful or upsetting topics. I certainly didn\u2019t! How, if at all, could I broach such a subject in class? My search eventually led me to a surprising destination: comics. As part of my exploration into trauma, I read <em>Maus<\/em> by Art Speigelmann, a landmark graphic novel about the Holocaust, and became fascinated with the potential of using visual storytelling to process trauma.<\/p>\n<p>Mark and I created <a href=\"https:\/\/felixandanya.com\/\" target=\"_blank\" rel=\"noopener\">Felix and Anya<\/a>, a short graphic novel that follows 2 CEGEP students as they explore the impact of intergenerational trauma in their lives.<\/p>\n<div class=\"media\">\n\t<a href=\"https:\/\/eductive.ca\/wp-content\/uploads\/2021\/09\/felix-anya-impacts.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/eductive.ca\/wp-content\/uploads\/2021\/09\/felix-anya-impacts.jpg\"><\/a><\/p>\n<p>Felix and Anya is an illustrated short story that follows 2 college students as they examine the impacts of intergenerational trauma in their lives. Story by Daniel Goldsmith and Mark McGuire, art by Alain Chevarier.<\/p>\n<\/div>\n<h2>Experimenting with comics<\/h2>\n<p>In the winter of 2019, 6 teachers at Dawson, John Abbott, and Nunavut Arctic College used <em>Felix and Anya<\/em> in their classrooms. Some hosted workshops with the illustrator, in which students began drawing their own stories. Giving students the tools to tell their own stories in a comic book enabled those who struggled with writing to communicate sophisticated content with simple drawings.<\/p>\n<p>The teachers came from a wide range of departments, including psychology, English, and social service. This underscored a key goal of our project, which was to offer material that could be used across a variety of disciplines.<\/p>\n<p>Teachers were able to integrate <em>Felix and Anya<\/em> into their curriculum in their own way, tailoring the resource to their individual needs:<\/p>\n<ul>\n<li>In an abnormal <strong>psychology<\/strong> class, the comic was used as a case study for students to analyze and diagnose the conditions they thought the characters suffered from<\/li>\n<li>In an <strong>English<\/strong> class, the story opened up a space in which to explore the relationship between narrative and identity construction<\/li>\n<li>In a <strong>humanities<\/strong> class, it served as part of a larger discussion about the mind-body connection<\/li>\n<li>In another humanities course on racism, it sparked a conversation on how the legacy of a traumatic past still persists today<\/li>\n<li>In a <strong>social service<\/strong> course in Nunavut, it was a springboard for Indigenous students to speak about their families\u2019 experience of residential schools<\/li>\n<\/ul>\n<p>In the feedback we solicited, student responses were overwhelmingly positive. Teachers also reported that their classes were engaged with the comic, and were more excited to learn the course material than if it had been presented in a textbook.<\/p>\n<p>Much of this positive response, I believe, stemmed from the use of the comic medium.<\/p>\n<h2>Comics &#8211; the medium <em>par excellence<\/em><\/h2>\n<p>A number of artists and scholars have pointed out how comics are the medium <em>par excellence<\/em> for authors to present personal stories of trauma and recovery, in part because drawing bypasses language and can therefore suppress the ordinary inhibitions against revisiting and revealing certain overwhelming experiences. Because comics enable the visual juxtaposition of 2 or more time periods within a single frame, the writer-artist can situate the past in the present and foreground intrusive memories commonly associated with post-traumatic stress disorder in sophisticated ways that do not cost a fortune in special effects.<\/p>\n<p>Comics also enable a kind of free association. Numerous times during our production of <em>Felix and Anya<\/em>, our team would be startled by the way some images elicited personal childhood memories, which we then drew upon to guide our representation of fictional characters in the comic. We had not planned to include such images or memories, nor, in most cases, had any of us consciously thought about or discussed them in decades. The students who participated in the drawing workshops reported similar experiences.<\/p>\n<div class=\"media\">\n\t<a href=\"https:\/\/eductive.ca\/wp-content\/uploads\/2021\/09\/felix-anya-physical-education.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/eductive.ca\/wp-content\/uploads\/2021\/09\/felix-anya-physical-education.jpg\"><\/a><\/p>\n<p>During a Physical Education wilderness camping weekend, something goes unexpectedly wrong. <em>Felix and Anya<\/em>, story by Daniel Goldsmith and Mark McGuire, art by Alain Chevarier.<\/p>\n<\/div>\n<h2>Students connecting with a difficult topic<\/h2>\n<p>For students, reading about trauma through the comic medium allowed them to connect with a difficult topic in a way that was more effective than simply reading about it. We repeatedly received comments such as \u201cThe comic makes a taboo subject easy to talk about\u201d and \u201cI was able to relate the characters\u2019 struggles to my own life.\u201d<\/p>\n<p>There was something about seeing images that brought the subject to life, while at the same time, the comic images kept the difficult experiences at a safe distance. Pain, sadness, and difficult emotions were close, but not too close.<\/p>\n<p>Of course, broaching the topic of trauma comes with certain dangers that teachers should be aware of. One main challenge is that trauma is such a heavy subject that we risk getting bogged down in the darkness.<\/p>\n<p>In developing <em>Felix and Anya<\/em>, one of our main goals was to show how trauma is not necessarily something to \u201covercome\u201d or \u201cheal,\u201d but to integrate into our lives.<\/p>\n<p>However, developing resilience can only happen if we have the support and the means to work through our experiences. This is why we would advise any teacher thinking of using this material in their classroom to make a list of counseling resources available, so that students can know where to turn if they feel overwhelmed.<\/p>\n<h2>Resources for teachers<\/h2>\n<p>If you are at all interested in exploring how you might incorporate visual storytelling into a discussion about trauma, I encourage you to check out the <a href=\"https:\/\/felixandanya.com\/\" target=\"_blank\" rel=\"noopener\"><strong>Felix and Anya website<\/strong><\/a>. There, you will find:<\/p>\n<ul>\n<li>the comic<\/li>\n<li>several contextual essays that explore some of the themes that inspired its creation<\/li>\n<li>additional resources to help you learn more about trauma from different perspectives, including psychology, biology, and spirituality<\/li>\n<li>suggested questions to spark discussion in your class<\/li>\n<\/ul>\n<p>Studying how others have used comics to process their trauma has helped me to process my own. In the process of creating these resources for others to use, I was able to reframe my own encounters with tragedy and to see the ways in which these experiences have actually made me a stronger, more compassionate person.<\/p>\n<p>If you have anything to share about other uses of visual storytelling, or if you would like to use the comic in your own classroom, please let me know in the comment section below.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>How do you speak about trauma without it becoming too personal? How do you provide support to a student whose painful memories and emotions might be triggered by such a discussion? An ECQ grant (<em>Entente Canada-Quebec<\/em>) in 2018-2019 allowed Mark McGuire at John Abbott College and I to develop a website presenting pedagogical materials using visual storytelling as a means of dealing with disturbing topics.<\/p>\n","protected":false},"author":1343,"featured_media":18428,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","tags":[],"resource_type":[2390],"discipline":[2236],"approach":[2202,2212],"resource_step":[],"res_caap_type":[],"res_gean_type":[],"resource__gean_step":[],"class_list":["post-14209","resource","type-resource","status-publish","has-post-thumbnail","hentry","resource_type-real-life-story","discipline-multidisciplinary","approach-active-learning-en","approach-inclusive-pedagogy-and-learning-support-en","cf"],"acf":[],"_links":{"self":[{"href":"https:\/\/eductive.ca\/en\/wp-json\/wp\/v2\/resource\/14209","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eductive.ca\/en\/wp-json\/wp\/v2\/resource"}],"about":[{"href":"https:\/\/eductive.ca\/en\/wp-json\/wp\/v2\/types\/resource"}],"author":[{"embeddable":true,"href":"https:\/\/eductive.ca\/en\/wp-json\/wp\/v2\/users\/1343"}],"replies":[{"embeddable":true,"href":"https:\/\/eductive.ca\/en\/wp-json\/wp\/v2\/comments?post=14209"}],"version-history":[{"count":0,"href":"https:\/\/eductive.ca\/en\/wp-json\/wp\/v2\/resource\/14209\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/eductive.ca\/en\/wp-json\/wp\/v2\/media\/18428"}],"wp:attachment":[{"href":"https:\/\/eductive.ca\/en\/wp-json\/wp\/v2\/media?parent=14209"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eductive.ca\/en\/wp-json\/wp\/v2\/tags?post=14209"},{"taxonomy":"resource_type","embeddable":true,"href":"https:\/\/eductive.ca\/en\/wp-json\/wp\/v2\/resource_type?post=14209"},{"taxonomy":"discipline","embeddable":true,"href":"https:\/\/eductive.ca\/en\/wp-json\/wp\/v2\/discipline?post=14209"},{"taxonomy":"approach","embeddable":true,"href":"https:\/\/eductive.ca\/en\/wp-json\/wp\/v2\/approach?post=14209"},{"taxonomy":"resource_step","embeddable":true,"href":"https:\/\/eductive.ca\/en\/wp-json\/wp\/v2\/resource_step?post=14209"},{"taxonomy":"res_caap_type","embeddable":true,"href":"https:\/\/eductive.ca\/en\/wp-json\/wp\/v2\/res_caap_type?post=14209"},{"taxonomy":"res_gean_type","embeddable":true,"href":"https:\/\/eductive.ca\/en\/wp-json\/wp\/v2\/res_gean_type?post=14209"},{"taxonomy":"resource__gean_step","embeddable":true,"href":"https:\/\/eductive.ca\/en\/wp-json\/wp\/v2\/resource__gean_step?post=14209"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}